Enter The Void (2009)

dir. Gaspar Noé

A completely exhilarating experience. Instantly you are rapidly exposed to the most lively title sequence through immense flickering and blinking, constantly flashing different typefaces, images and fluorescent colours that fill the entire screen. These fluorescent colours are carried over throughout the entire film, illuminating every scene that creates a beautifully eccentric atmosphere. The omniscient element is a tool utilised to force the audience to confront the film in its most intimate form, inviting the audience to become intrusive throughout the film. The wild, yet tranquil ambience of the film is abruptly interrupted by constant flashbacks, which I find to be one of the more beautiful scattered fragments throughout the film.