Immediately, as a viewer you are pulled right into the mind of Titta di Girolamo, the films authoritative narrative vehicle, yet interestingly, his true disposition remains foreign to the viewer. A grand achievement throughout the entire film is the relationship between two elements: cinematography and decor. Luca Bigazzi (cinematography) and Lino Fiorito (production design) have defined the overall tenor of the film by utilising each element to evoke a perplexing narrative, leading to ongoing questioning. The fluid movement of the camera and the characters is another accomplishment, very subtle and light that accentuated this sense of abstruseness.
